Plot Summary:
Alice Liddell was bored with the ordinary. In fact, Alice longs for the extraordinary and would give anything to live in a world where nonsense is the law of the land. One day, while on an outing with her sister, Alice sees a white rabbit wearing a waistcoat and carrying a pocket watch. Surely, no one has ever seen a white rabbit wearing a waistcoat and carrying a watch so Alice follows him down a rabbit hole that would lead her to Wonderland. Before entering Wonderland, Alice is tested when she comes upon a small table with a key and a variety of doors. After finding the proper door, Alice realized she was much too big to enter and and that is when a small bottle of liquid appears with the following bale: "Drink Me." Although she is now the perfect size, she forgot the key! When she realized her mistake, she didn't know what to do and that is when a piece of cake with the words "Eat Me." Well, the cake made her shoot up a few miles and she was stuck again. Rather than trying to find a solution, Alice does something that every child does when she doesn't know what to do: she cries and cries. After flooding the hallway with tears, Alice takes the bottle and shrinks herself only to be "flooded" into Wonderland. While in Wonderland, Alice meets a variety of characters who have their own stories to tell and they are definitely ones she has never hear
d. Although Alice originally relished the opportunity to be a part of this world, she realizes that nonsense is literally what it is: nonsense. From the Dodo, Bill, the White Rabbit, the Cheshire Cat, the Mad Hatter, the March Hare, the Door Mouse, and the Caterpillar, the Red Queen, and many others, Alice finds herself surrounded in a world where everything up is down and no matter what she does, or says, it always ends up the opposite. Throughout her journey, Alice starts to realize that living in the ordinary world isn't all that bad and, after the shenanigans and adventures she experiences, being at home with her kitty, Dinah, is just what she needs. However, old habits die hard, and when Wonderland beckons her return, Alice curiosity, once again, gets the best of her.
Critical Evaluation:
This is one of my favorite books of all time. In fact, I have a cat named Dinah and when I grow up, and have a daughter, her name will be Alice.
Alice's Adventures in Wonderland is a fun and fantastic adventure where a little girl learns to appreciates the difference between reality and fantasy. Although Wonderland had shown her many, many amazing things, she learns that silliness can lead to madness that could lead to some scary things. For example, when she ate the cake in Rabbit's house, she was almost burned alive because the Rabbit, Dodo, and Bill thought she was a monster. Another incident is when she almost lost her head because of the dizzy Red Queen. Let's not forget her tea party with the Mad Hatter and the March Hare. Logic and the illogical lead to many different paths and Alice had the unique opportunity to experience both. In this collection of Alice's adventures, world renowned scholar, Martin Gardner, has given Carroll fans a wonderful gift, which is Alice's stories with John Tenniel's original artwork, and ANNOTATIONS UP THE WAZOO! I majored in English so this version, although not necessary for some readers, is a joy because along with the story, we get bits and pieces of facts and history on top of all of literacy criticism. For those who are no familiar with the author's life, they will learn that this man was a highly respected theologian and mathematician. When I learned about who Lewis Carroll was, or, should I say, Reverend Charles Dodgson, I was floored. Why on earth would a man of fact and logic write a story about the illogical? Well, lucky for us, Carroll was a living contradiction, just like Alice Liddell. More importantly, we learn that this beautiful story was based off the stories of his good friend's daughters, which, in my opinion, is the greatest gift any little girl could ever ask for. Since this edition contains the original
Annotated Alice that Gardner published thirty years ago, this edition includes additional information so fans all over the world will be super excited to get their hands on this! If you love Alice, and want to know everything about her inception and influence, I highly recommend that you go out and buy this for your collection. A great addition to any home library.
Information about the Author:
According to the
Lewis Carroll Society of North America:
Who exactly was Lewis Carroll?
Charles Lutwidge Dodgson, known by his pen name, Lewis Carroll, was a
man of diverse interests — in mathematics, logic, photography, art,
theater, religion, science, and of course literature. He was happiest in
the company of children for whom he created puzzles, clever games, and
charming letters. And of course, he also told them stories.
As all Carroll admirers know, his book Alice’s Adventures in Wonderland (1865), became an immediate success and has since been translated into more than eighty languages. The equally popular sequel Through the Looking-Glass and What Alice Found There, was published in 1872.
The “Alice” books are but two examples of his wide ranging authorship. The Hunting of the Snark (1876), a classic nonsense epic, and Euclid and His Modern Rivals (1879), a rare example of humorous work concerning mathematics, still entice and intrigue today’s students. Sylvie and Bruno (1889), published toward the end of his life, contains startling ideas including a description of weightlessness.
The humor, sparkling wit and genius of this Victorian Englishman have
lasted for more than a century. His books are among the most quoted
works in the English language, and his influence (as well as that of his
illustrator, Sir John Tenniel) can be seen everywhere, from the world
of advertising to that of atomic physics.
Why did Mr. Dodgson write under the pen name of Lewis Carroll?
As a modest gentleman and a scholar/instructor at Oxford, he valued his
privacy very highly. He would refuse letters sent to “Lewis Carroll,
Christ Church, Oxford”, claiming no such person lived there! But he did
occasionally use his pen name to smooth an introduction to a well-known
member of society or new child friend.
How did he come up with the name Lewis Carroll?
He took the first two parts of his name, Charles Lutwidge, and
translated them into Latin: Carolus Ludovicus. He then reversed their
order: Ludovicus Carolus, and then loosely translated them back into
English: Lewis Carroll. He actually supplied his first publisher with a
short list of possible pen names, and it was the publisher who selected
“Lewis Carroll” from the list. Share that bit of trivia at your next mad
tea party!
Was there a real Alice?
Indeed there was. Alice Pleasance Liddell was arguably Charles Dodgson’s
greatest child friend. She was one of the daughters of Henry George
Liddell, Dean of Christ Church, Oxford, where Mr. Dodgson lived, taught
and wrote.
Was Lewis Carroll in love with Alice?
To say that much has been written on this question would be a monumental
understatement. For the purposes of this site, suffice it to say that
in addition to being a friend during her childhood years, she was his
first true creative muse. Interestingly, Alice Liddell also inspired a
number of other well known artists of the time, including John Ruskin,
William Richmond and Julia Margaret Cameron. The fact that the two
“Alice” books are still so beloved today stands as a testament to the
lasting power of that original inspiration, and to Mr. Dodgson’s
timeless genius.
What was the origin of the Alice books?
Mr. Dodgson would often take young Alice and her sisters Lorina (older)
and Edith (younger) on leisurely rowing expeditions in the company of a
fellow Oxford scholar. During these boat rides and subsequent picnics,
he would make up fantastical tales to entertain the girls. What we now
know as Alice’s Adventures in Wonderland began as one of these
stories, and was only written down because Alice begged Mr. Dodgson to
do it. The first version, which he wrote and illustrated by hand for
her, was entitled Alice’s Adventures under Ground. Some of the most famous chapters of Alice’s Adventures in Wonderland
were actually written only after his friend (and noted children’s
author) George MacDonald and his family encouraged Mr. Dodgson to
explore the idea of expanding and publishing the story so that more
children could enjoy it. Alice’s Adventures in Wonderland met with instant success, as did its sequel, Through the Looking-Glass and What Alice Found There.
Can Lewis Carroll’s creativity and writings be explained by
any possible drug use, epilepsy, migraines, or other mind-altering
circumstance?
In brief: no, no, no, and no. Based on all evidence unearthed
to date, unless you count the occasional use of an over-the counter
homeopathic remedy, Lewis Carroll was not a drug user. This may
disappoint lazy media hounds and Miley Cyrus, but that’s the truth as we
currently know it, and given Carroll’s abstemious personality and
conduct, that particular finding is unlikely to change. Similarly, while
he had a couple of seizures of one kind or another in later years, and
wondered if one of them might be “epileptiform” in his diary, he also
recorded afterward that his own doctor told him that it was not, and
there was no history of it in his immediate family line. And while he
records that he occasionally had a very bad headache, including some
descriptions that sound like migraine symptoms, we have no hard facts
that could lead one to say uncontestably that he suffered from
migraines. Seizures and severe headaches can be caused by any number of
things, and providing a medical diagnosis more than 100 years after the
fact is not advisable. It’s fascinating what people since Carroll’s time
have tried to read into his life after reading his remarkably inventive
works. Our explanation for how the Alice books, the Snark, and all Carroll’s other writings came to be is simple: the man was extremely talented.
Genre:
Classic Literature
Reading Level/Interest:
All ages
Books Similar to the Annotated Alice:
Awards & Recognition:
From Amazon.com
Amazon.com Review
"What is the use of a book," thought Alice, "without pictures or conversations!" Readers who share Alice's taste in books will be more than satisfied with
The Annotated Alice,
a volume that includes not only pictures and conversations, but a
thorough gloss on the text as well. There may be some, like G.K.
Chesterton, who abhor the notion of putting Lewis Carroll's masterpiece
under a microscope and analyzing it within an inch of its whimsical
life. But as Martin Gardner points out in his introduction, so much
of
Alice in Wonderland and
Through the Looking Glass is
composed of private jokes and details of Victorian manners and mores
that modern audiences are not likely to catch. Yes,
Alice can be enjoyed on its own merits, but
The Annotated Alice
appeals to the nosy parker in all of us. Thus we learn, for example,
that the source of the mouse's tale may have been Alfred Lord
Tennyson who "once told Carroll that he had dreamed a lengthy poem
about fairies, which began with very long lines, then the lines got
shorter and shorter until the poem ended with fifty or sixty lines of
two syllables each." And that, contrary to popular belief, the Mad
Hatter character was
not a parody of then Prime Minister Gladstone, but rather was based on an Oxford furniture dealer named Theophilus Carter.
Gardner's annotations run the gamut from the factual and historical to
the speculative and are, in their own way, quite as fascinating as
the text they refer to. Occasionally, he even comments on himself, as
when he quotes a fellow annotator of
Alice, James Kincaid:
"The historical context does not call for a gloss but the passage
provides an opportunity to point out the ambivalence that may attend
the central figure and her desire to grow up." And then follows with a
charming riposte: "I thank Mr. Kincaid for supporting my own
rambling." There's a
lot of information in the margins
(indeed, the page is pretty evenly divided between Carroll's text and
Gardner's), but the ramblings turn out to be well worth the time. So
hand over your old copy of Lewis Carroll's classic to the kids--this
Alice in Wonderland is intended entirely for adults.
--Alix Wilber
From Library Journal
Clarkson Potter published The Annotated Alice in 1960, and
Gardner published the sequel More Annotated Alice in 1990. Here, Gardner
combines and expands both to produce The Definitive Edition. This
presents the full texts of Alice's Adventures in Wonderland, Through the
Looking-Glass, and "The Wasp in a Wig," a "suppressed" chapter of
Looking-Glass. Each of these texts is accompanied by a lengthy marginal
commentary that identifies historical and literary references and
allusions, explains Carroll's logical and mathematical puzzles, and
interprets colloquialisms and idiomatic expressions. Gardner's
commentary is sufficiently detailed to be informative without burdening
Alice with excessive pedantic baggage. The Definitive Edition also
includes Tenniel's original illustrations and an exhaustive annotated
list by David Shaefer of Alice on the screen. This is a happy
contribution to those who appreciate Lewis Carroll.
-Thomas L. Cooksey, Armstrong State Coll., Savannah, GA
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
A welcome, greatly expanded third edition of Gardners beloved
critical edition of Carrolls Victorian fairy tales. One of the longest
ongoing love affairs in literature has to be that between Gardner, a
prolific, popular writer on math and science, and Carrolls ostensible
childrens tales, Alices Adventures in Wonderland and Through the Looking
Glass. With a dedication rare even among scholars, Gardner has tracked
down origins and meanings of the wordplay and mathematical puzzles the
sly Carroll embedded in his texts. He has also researched Charles
Dodgson's life and illuminated the two stories sly parody of high
Victorian culture. This new volume combines the notes from The Annotated
Alice (1960) and More Annotated Alice (1990) with Gardners latest
discoveries, offering both ardent fans of Carroll's work and newcomers a
chance to read the texts in the light of Gardner's labors. The result
is rather like sitting in on the creation of a work of art; the manner
in which the shy mathematician and tutor Dodgson poured everything that
fascinated him (children's games, chess, mathematical riddles and logic,
an amused view of Victorian literature and society) into the work by
his alter ego Carroll is illuminated through Gardner's lucid and copious
notes. They run in a narrow (and surprisingly unobtrusive) column
accompanying Carroll's text on each page, turning the book into a fluid
mix of Carroll and Gardner. The illustrations, by John Tenniel, also
provide fertile ground for Gardner's commentary. The notes are so clear,
enthusiastic, and helpful that it is now hard to imagine Carroll
without Gardner. A unique collaboration has produced, for once, a book
that lives up to its name. As close to a definitive take on a classic
work as anyone is likely to come. --
Copyright ©1999, Kirkus Associates, LP. All rights reserved.