Author Visit with Raymond Wong
9 years ago
Elise Paschen, a poet of Osage descent, is the author of Bestiary (Red Hen Press, 2009); Infidelities (Story Line Press), winner of the Nicholas Roerich Poetry Prize, and Houses: Coasts (Oxford: Sycamore Press). Her poems have been published in The New Republic, Ploughshares and Shenandoah, among other magazines, and in numerous anthologies, including Reinventing the Enemy’s Language: Contemporary Native Women’s Writings of North America; A Formal Feeling Comes: Poems in Form by Contemporary Women; Poetry 180: A Turning Back to Poetry and The POETRY Anthology, 1912—2002. She is editor of The New York Times best-selling anthology Poetry Speaks to Children and Poetry Speaks Who I Am (Sourcebooks) as well as co-editor of Poetry Speaks, Poetry Speaks Expanded (Sourcebooks), Poetry in Motion, and Poetry in Motion from Coast to Coast (Norton).
The daughter of prima ballerina Maria Tallchief and Henry Paschen, Elise Paschen was born and raised in Chicago, Illinois, where she attended the Francis W. Parker School. While an undergraduate at Harvard, Paschen was awarded the Lloyd McKim Garrison Medal and the Joan Grey Untermyer Poetry Prize. At Oxford University, where she received her M.Phil. and D.Phil. degrees in 20th Century British and American Literature, she co-founded Oxford Poetry.
Executive Director of the Poetry Society of America from 1988 until 2001, she is the co-founder of Poetry in Motion, a nation-wide program which places poetry posters in subways and buses. Paschen was the featured Illinois poet at the National Book Festival sponsored by the Library of Congress in September 2006. She currently serves as Poet Laureate of Three Oaks, Michigan. A former Frances Allen Fellow of the Newberry Library, Dr. Paschen teaches in the MFA Writing Program at The School of the Art Institute of Chicago. She lives in Chicago with her husband and their two children.
Dominique Raccah is founder, president, and publisher of Sourcebooks, a leading independent publisher outside of Chicago. Today Sourcebooks is the world’s leading publisher of poetry in book-and-audio form, and also publishes nonfiction and fiction. Raccah was the initial visionary of the books Poetry Speaks, Poetry Speaks to Children and Hip Hop Speaks to Children, seeing them as interactive, engaging ways to experience spoken and written poetry.
Series Editor Dominique Raccah is founder, president, and publisher of Sourcebooks, a leading independent publisher outside of Chicago. Today Sourcebooks is the world’s leading publisher of poetry in book-and-audio form, and also publishes nonfiction and fiction. Raccah was the initial visionary of the books Poetry Speaks, Poetry Speaks to Children and Hip Hop Speaks to Children, seeing them as interactive, engaging ways to experience spoken and written poetry. - See more at: http://www.sourcebooks.com/index.php?option=com_egdauthors&view=author&aid=A343#sthash.f0V0vN1c.dpufSeries Editor Dominique Raccah is founder, president, and publisher of Sourcebooks, a leading independent publisher outside of Chicago. Today Sourcebooks is the world’s leading publisher of poetry in book-and-audio form, and also publishes nonfiction and fiction. Raccah was the initial visionary of the books Poetry Speaks, Poetry Speaks to Children and Hip Hop Speaks to Children, seeing them as interactive, engaging ways to experience spoken and written poetry. - See more at: http://www.sourcebooks.com/index.php?option=com_egdauthors&view=author&aid=A343#sthash.f0V0vN1c.dpuf
Liz Rosenberg is the author of 4 novels, 5 books of poems and more than 20 award winning books for children. She has edited five prize winning poetry anthologies (including THE INVISIBLE LADDER and LIGHT GATHERING POEMS) and her picture book, THE CAROUSEL was featured on PBS' Reading Rainbow. Her newest picture book, TYRANNOSAURUS DAD, illustrated by brilliant newcomer Matthew Myers, is a Children's Book of the Month Club bestseller, has garnered praise from Publisher's Weekly, Kirkus, School Library Journal and elsewhere, and was an Amazon top 10 children's book.Deena November (from Hyacinth Girl Press):
Deena November graduated SUNY Binghamton in 2005 with a BA in Creative Writing, Poetry and received her MFA in Creative Writing, Poetry from Carlow University. In 2005, she co-edited the anthology I JUST HOPE IT'S LETHAL: Poems of Sadness, Madness, and Joy for Houghton Mifflin. Her poems have also appeared in Pittsburgh City Paper, Pittsburgh Post Gazette, Shaking Like a Mountain, Nerve Cowboy, Chiron Review, Voices in the Attic, and Keyhole Magazine. She has taught Poetry and Creative Writing Workshops at Seton Hill University. Currently, she teaches at Carlow University and Robert Morris University in the English, Creative Writing, and Women’s Studies departments. She co-created Girls with Glasses Reading Series, Workshops, and Literary Journal. Deena lives in Pittsburgh with her daughter, dog, and husband. - See more at: http://hyacinthgirlpress.com/yeartwo/dickwad.html#sthash.XPiouWuw.dpuf
Deena November graduated SUNY Binghamton in 2005 with a BA in Creative Writing, Poetry and received her MFA in Creative Writing, Poetry from Carlow University. In 2005, she co-edited the anthology I JUST HOPE IT'S LETHAL: Poems of Sadness, Madness, and Joy for Houghton Mifflin. Her poems have also appeared in Pittsburgh City Paper, Pittsburgh Post Gazette, Shaking Like a Mountain, Nerve Cowboy, Chiron Review, Voices in the Attic, and Keyhole Magazine. She has taught Poetry and Creative Writing Workshops at Seton Hill University. Currently, she teaches at Carlow University and Robert Morris University in the English, Creative Writing, and Women’s Studies departments. She co-created Girls with Glasses Reading Series, Workshops, and Literary Journal. Deena lives in Pittsburgh with her daughter, dog, and husband.
Genre:Deena November graduated SUNY Binghamton in 2005 with a BA in Creative Writing, Poetry and received her MFA in Creative Writing, Poetry from Carlow University. In 2005, she co-edited the anthology I JUST HOPE IT'S LETHAL: Poems of Sadness, Madness, and Joy for Houghton Mifflin. Her poems have also appeared in Pittsburgh City Paper, Pittsburgh Post Gazette, Shaking Like a Mountain, Nerve Cowboy, Chiron Review, Voices in the Attic, and Keyhole Magazine. She has taught Poetry and Creative Writing Workshops at Seton Hill University. Currently, she teaches at Carlow University and Robert Morris University in the English, Creative Writing, and Women’s Studies departments. She co-created Girls with Glasses Reading Series, Workshops, and Literary Journal. Deena lives in Pittsburgh with her daughter, dog, and husband. - See more at: http://hyacinthgirlpress.com/yeartwo/dickwad.html#sthash.XPiouWuw.dpuf
I was born on a Thursday, the 12th of August, 1937, in Martinsburg, West Virginia. My name at birth was Walter Milton Myers. For some strange reason I was given to a man named Herbert Dean who lived in Harlem. I consider it strange because I don't know why I was given away.
I was raised in Harlem by Herbert and his wife, Florence. Herbert was African American. Florence was German and Native American and wonderful and loved me very much.
As a child my life centered around the neighborhood and the church. The neighborhood protected me and the church guided me. I resisted as much as I could.
I was smart (all kids are smart) but didn't do that well in school.
I dropped out of high school (although now Stuyvesant High claims me as a graduate) and joined the army on my 17th birthday.
Basketball has always been a passion of mine. Sometimes at night I lie in bed thinking about games I've played. Sometimes I think about what would have happened if I had gone into the NBA (I was never good enough) or college ball.
Anyway.... I wrote well in high school and a teacher (bless her!) recognized this and also knew I was going to drop out. She advised me to keep on writing no matter what happened to me.
"It's what you do," she said.
I didn't know exactly what that meant but, years later, working on a construction job in New York, I remembered her words. I began writing at night and eventually began writing about the most difficult period of my own life, the teen years. That's what I do.
Bill lives in just outside of Phoenix with his longtime partner, Chuck. They have an Australian Labradoodle named Mabel, who completes them. She also can jump very high and head a ball like a champion soccer player.
Bill is now a full-time writer of fiction, which is his dream job. Except when it makes him crazy and impossible to live with, which is about 36 percent of the time.
Before Bill was a fiction writer (and long before he ever referred to himself in the third person), he was a sports writer. As a sports writer and editor for The Associated Press from 2005-08, he covered the New York Mets and his weekly fantasy baseball column appeared in newspapers across the country, from the New York Daily News to the Seattle Post-Intelligencer. In May of 2001, while working for ESPN.com, he came out on the front page of the website in an article entitled “Sports World Still a Struggle for Gays.” That article won him a GLAAD Media Award the following year.
Since then, he has spoken at numerous venues across the country on what it’s like to be a gay person in the world of sports. He has written for The New York Times, New York Daily News, North Jersey Herald and News and Denver Post, to name a few. His work has also appeared in Out Magazine. In 2011, his coming out was named the #64 moment in gay sports history by the website Outsports.com. His story was included as a chapter in the book “Jocks 2: Coming Out to Play” by Dan Woog.
April Henry knows how to kill you in a two-dozen different ways. She makes up for a peaceful childhood in an intact home by killing off fictional characters. There was one detour on April's path to destruction: when she was 12 she sent a short story about a six-foot tall frog who loved peanut butter to noted children's author Roald Dahl. He liked it so much he arranged to have it published in an international children's magazine. By the time she was in her 30s, April had started writing about hit men, kidnappers, and drug dealers. She has published more than a dozen mysteries and thrillers for teens and adults, with five more under contract
QuinRose~クインロゼ~』では、
女性主人公のファンタジー恋愛アドベンチャーゲームを中心に制作しています。
※関連作品として、男性主人公のゲームも制作しております。
2010年からソニーのパブリッシャーとなり、
現在は家庭用機ゲームを主に開発中です。
In "QuinRose ~ Kuinroze ~",
Has produced mainly female hero fantasy romance adventure game.
※ as related work, we have also produced male hero game.
And publisher of Sony from 2010,
And is currently developing a game machine primarily for home use.
Jun Mochizuki (望月 淳 Mochizuki Jun?, born December 22 in Kanagawa Prefecture, Japan) is a Japanese manga artist, best known for creating the manga series Pandora Hearts.
Ryohgo Narita (成田 良悟, Narita Ryōgo) is a Japanese light novelist. He won the Gold Prize in the 9th Dengeki Novel Prize for Baccano!, which was made into a TV anime in 2007.[1] His series Durarara!! was also made into a TV anime, which began airing January 2010
There are two traits found in most of Narita's works:
* Narita writes extremely fast, one volume a month if he wishes - with tons of spelling errors and missing words as a tradeoff. The editors like to leave them sometimes just for fun, though.
* His work titles often have an exclamation mark at the end (i.e. Baccano!, Vamp!, Durarara!!, etc.).
Matthew Quick (aka Q) is the New York Times bestselling author of THE SILVER LININGS PLAYBOOK, which was made into an Oscar-winning film, and three young adult novels: SORTA LIKE A ROCK STAR; BOY21; and FORGIVE ME, LEONARD PEACOCK. His work has been translated into twenty-eight languages, received a PEN/Hemingway Award Honorable Mention, was an LA Times Book Prize finalist, a New York Times Book Review Editors’ Choice, a #1 bestseller in Brazil, and selected by Nancy Pearl as one of Summer’s Best Books for NPR. His next novel for adults, THE GOOD LUCK OF RIGHT NOW, is forthcoming from HarperCollins in February 2014. All of Q’s books have been optioned for film.
Q was born and spent the first few years of his life in Philadelphia before being raised just across the Delaware River in Oaklyn, New Jersey. He graduated from Collingswood High School (class of 1992) and La Salle University (class of 1996), where he double-majored in English and secondary education. He taught literature and film at Haddonfield Memorial High School in New Jersey for several years, during which he coached soccer and basketball, chaperoned trips to Peru and Ecuador, initiated a pen-pal exchange with students in Namibia, and counseled troubled teens.
In 2004 Q made the difficult decision to leave teaching and pursue his dream of becoming a fiction writer. He received his Master of Fine Arts in Creative Writing from Goddard College in 2007. He now lives in Massachusetts with his wife, novelist/pianist Alicia Bessette.
I was born in 1952 in Berkeley, California. I lived in the Bay Area until I was five, by which time I had three younger siblings. In 1958 we moved to St. Louis Park, Minnesota, where my parents continued to produce offspring. By 1964 I had four brothers and two sisters. I attended Cedar Manor Elementary School (also the alma mater of Al Franken and the Coen brothers), and eventually graduated honor-free from St. Louis Park High School. This is so tedious. Why do you keep reading?
For the next seven years I attended college, first at the Minneapolis College of Art & Design, then at the University of Minnesota, where I took nearly every one-level class offered, but very few three- or five-level classes. I left college without graduating, but knowing a little bit about nearly everything, and a great deal about absolutely nothing. That superficial education now serves me well at cocktail parties, and as a novelist.
After college I worked various jobs for which I was ill-suited, including sign painter, graphic artist, marketing executive, painter cap salesman, pineapple slicer, etc. Eventually, having no better options, I decided to write a novel. I finished writing Drawing Dead in 1991. Two years later it was published by Simon & Schuster.
In 2004 my novel Godless won the National Book Award for Young People's Literature. That's a huge deal if you are a writer. It made me deliriously happy.
Today, I live with novelist and poet Mary Logue in Golden Valley, Minnesota and Stockholm, Wisconsin. We have one small dog (are you still reading?) named Gaston. When I'm not writing or reading, I like to cook, run, bike, inline skate, hunt mushrooms, look at art, and take naps.
Holly Black is the bestselling author of contemporary fantasy novels for teens and children.
Her first book, Tithe: A Modern Faerie Tale, was published in 2002 by Simon & Schuster. Tithe was called "dark, edgy, beautifully written and compulsively readable" by Booklist, received starred reviews from Publisher's Weekly and Kirkus Reviews, and was included in the American Library Association's Best Books for Young Adults. Holly has since written two other books in the same universe, Valiant (2005), and the sequel to Tithe, Ironside (2007), which spent five weeks on the New York Times bestseller list. Valiant was a finalist for the Mythopoeic Award for Young Readers and the recipient of the Andre Norton Award for Excellence in Young Adult Literature.
Holly has also been a frequent contributor to anthologies, and has co-edited three of them: Geektastic (with Cecil Castellucci, 2009), Zombies vs. Unicorns (with Justine Larbalestier, 2010), and Bordertown (with Ellen Kushner, 2011). Her first collection of short fiction, Poison Eaters and Other Stories, came out in 2010 from Small Beer Press. She has just finished the third book in her Eisner-nominated graphic novel series, The Good Neighbors, and is working on Red Glove, the second novel in The Curse Workers series. White Cat, the first in the series, is out as of May 2010, and is about capers, curse magic, and memory.
Holly lives in Massachusetts with her husband, Theo, in a house with a secret library.About Cecil Castellucci:
Cecil Castellucci is the author of books and graphic novels for young adults including Boy Proof, The Plain Janes, First Day on Earth, The Year of the Beasts and Odd Duck. Her picture book, Grandma’s Gloves, won the California Book Award Gold Medal. Her short stories have been published in Strange Horizons, YARN, Tor.com, and various anthologies including, Teeth, After and Interfictions 2. She is the YA editor of the Los Angeles Review of Books, Children’s Correspondence Coordinator for The Rumpus and a two time Macdowell Fellow. She lives in Los Angeles.
Q. When were you born?
A. August 24, 1977
Q. Where did you grow up?
A. Primarily in Orlando, Florida but also a little bit in Birmingham, Alabama
Q. Where do you live?
A. I currently live in Indianapolis, Indiana. I wrote most of The Fault in Our Stars and much of Paper Towns here. We used to live in New York City, where I wrote part of Paper Towns and most of An Abundance of Katherines. Before that, I lived in Chicago, where I wrote Looking for Alaska.
Q. Did you receive any formal education?A. Yes, I graduated from Indian Springs School (in Alabama) and then received a B.A. from Kenyon College (in Gambier, Ohio), where I double-majored in English (mostly Mark Twain) and Religious Studies (mostly Islam).
Q. Did you want to be a writer when you were younger?A. Yes, but I always thought being a writer was, like, being an astronaut or playing in the NFL or something. It always seemed to me a very unrealistic dream. (I still don’t think of writing as my fulltime job: I make videos and help run record companies and other stuff.) Shortly after I graduated from college, I began working at Booklist Magazine. Booklist is an amazing magazine. Every two weeks, they review HUNDREDS of books. It slowly dawned on me that each of those books was written by someone, and I started to feel like maybe I could be one of those someones. During these years, I was also very blessed to have one of my editors at Booklist, Ilene Cooper, mentor me and encourage my writing. Ilene is an author, and through our friendship, I realized that people who write books are not, like, fundamentally different from other people. (Well, Ilene is smarter and funnier and better-informed than almost anyone else, but you know what I mean.)
So, yes, I wanted to be a writer. But it wasn’t until I was much older–in my 20s–that it seriously occurred to me that I could be a writer.
Q. Where do you get your ideas?A. I don’t really know. If I had a better understanding of where my ideas came from, I would go there and acquire more ideas. I don’t tend to have big ideas, like, “A SCHOOL FOR WIZARDS!” or “VAMPIRES IN SUBURBIA!” My stories tend to start out with people: a child prodigy who hits the wall of his intellectual talents. A religious but not fundamentalist Muslim in the South. A young woman kept alive but uncured by a novel cancer treatment. These characters mix with questions that interest and/or haunt me: Why are we so interested in leaving a legacy? Can we construct meaning in a world that is so profoundly apathetic toward us? Is it possible to have a full life without having a long life? That’s where my books start, really. They begin at the intersection between people I’m imagining and questions that bug me.
Q. What was your childhood like?A. I was extremely fortunate. My parents loved and encouraged me; my brother was empathetic and supportive; my friends (when I had them) were lots of fun without being too dangerous. That said, due to some malfunctioning brain chemistry and also due just to the nature of being a person, I often felt isolated and alone and scared. I was quite nerdy and dearly wished that I could be popular. I think I was quite difficult to be around–my insecurity and anxiety made it difficult for me to have straightforward, engaging social interactions with anyone, and I was really super self-absorbed.
I don’t particularly recommend any of these personality traits, but I do think spending a lot of time in my youth (particularly middle school) alone was helpful to me as a writer: For one thing, I read a lot. For another, I spent a lot of time listening to other people talk.
Q. Do you have advice for young writers?A. That is not really a biographical question, but yes, I do. I believe that reading is a writer’s greatest apprenticeship. We learn how to write by paying attention to all the ways that writers who’ve come before us used this meaningless scratches on a page to bring stories to life in the minds of readers.
My other recommendation is to tell stories to your friends and pay attention to when they get bored. I still do this a lot, and it helps me understand how to pace a story, and what kind of phrases and images audiences find engaging.
About Kate Rudd:Finally, trust your critics. When someone identifies a weakness in your story, they are almost always right. They may not have identified quite the right weakness, and they may not have quite the right solution, but if your readers are bothered by something, then things have gone awry. If you’re going to ask for readers’ time, after all, the story you write has to be a gift for you and for them.
"It's a rare book that gets you laughing and crying at the same time," Kate Rudd says of John Green's YA novel, THE FAULT IN OUR STARS. "The book was really a visceral experience for me--it was the kind of book that I would have read at home, in private, because of the crying," she confesses. "I'm kind of an emotional person anyway, so the engineers and the directors are used to me. I think there were at least 100 pages where I was physically crying, and not trying to show it in every moment, but you can't always keep it out of your voice. Sometimes it actually serves the script, because of Hazel's breathing issues. So if at times I was a little breathless from the story, it was okay."
When Rudd began recording audiobooks two years ago, she did almost exclusively YA titles. "I don't know if it's just because my voice was still a little bit younger--I'm only 31. I really like young adult literature. I think it's some of the smartest writing that's out there, so it's been really satisfying to be able to tell those stories." Rudd's mom was a librarian, and Rudd says she naturally grew up with a love for books. "She didn't ever tell me that because I was a certain age, here's what I needed to be reading. She just had piles of books, and I went picking and found things that were interesting to me."
Rudd, who lives in West Michigan near the Brilliance Audio studios, happened upon narrating as something to supplement her acting career. "There's a lot going on here in terms of short films and independent films. There's not a lot going on here that would be enough for all of us actors to support our families on. There's enough to stay active and to occasionally catch a windfall, but a lot of times we do it because we love it and because we are hearty people."
But she discovered that audiobook work was a passion. "I'd like to do this until I'm old and gray. In the beginning, this was a temporary stopgap measure--I needed a job; I'm an actress; I'm trying to raise some kids; here, this is close enough; I'll do this for awhile. That was my attitude going in. I quickly fell completely in love with it and found it to be so surprisingly gratifying, and if I can find a way to do this forever, I will."--Jennifer M. Dowell
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