Author Visit with Raymond Wong
9 years ago
Sara Zarr is the acclaimed author of five novels for young adults, most recently The Lucy Variations, which the New York Times called “an elegant novel.” Her sixth, a collaborative novel with Tara Altebrando, came out December 2013. She’s a National Book Award finalist and two-time Utah Book Award winner. Her books have been variously named to annual best books lists of the American Library Association, Kirkus, Publisher’s Weekly, School Library Journal, the Guardian, the International Reading Association, the New York Public Library and Los Angeles Public Library, and have been translated into many languages. In 2010, she served as a judge for the National Book Award. She has written essays and creative nonfiction for Image, Hunger Mountain online, and Response as well as for several anthologies, and has been a regular contributor to Image‘s daily Good Letters blog on faith, life, and culture. As of summer 2013, she’s a member of the faculty of Lesley University’s Low-Residency Master of Fine Arts in Creative Writing program. Sara also hosts the This Creative Life podcast. She is the current Salt Lake City Literary Death Match Champion. Born in Cleveland and raised in San Francisco, she currently lives in Salt Lake City, Utah, with her husband, and online at www.sarazarr.com.
These people we call Mom and Dad, they bring us into the world and they don't follow through with what we need, or provide answers at all really--it's a fend-for-yourself free-for-all in the end, and I;m just not cut out for that sort of living.I cannot express how terrifying and painful it is to hear that so many young people, like Leonard, are out there, all alone, exposed to the evils of this world, and have no one, or no where, to turn to. The reason why Leonard wants to kill Asher Beale is because adults not only warped, and ruined, noth Asher's and Leonard's innocence, it was the adults who turned a blind eye to everything that was happening to these children. After the abuse, Leonard has been slowly dying inside and it literally takes an almost murder/suicide for him to realize that that the people who should have protected, loved, and supported him throughout this whole ordeal weren't there. I thank God for people like Herr Silverman because it is their strength, love, patience, compassion, and faith is what gives teens like Leonard a way out. Although Leonard has a long way to go, he can now do it knowing that he doesn't have to endure the pain any more and hope for a better for life and a better future. This book will live with me for the rest of my life because I never, ever want this to happen to my own children and readers will feel the same way when they come across someone who is suffering like Leonard. If you know someone who is hurting, or wanting to hurt themselves, DO NOT IGNORE THEM and get them help. More importantly, if you are a victim of abuse, you did not deserve this and nor are you to blame. If you feel like hurting yourself, please seek help because you are precious to those who love you and and everyone around you.
Matthew Quick (aka Q) is the New York Times bestselling author of THE SILVER LININGS PLAYBOOK, which was made into an Oscar-winning film, and three young adult novels: SORTA LIKE A ROCK STAR; BOY21; and FORGIVE ME, LEONARD PEACOCK. His work has been translated into twenty-eight languages, received a PEN/Hemingway Award Honorable Mention, was an LA Times Book Prize finalist, a New York Times Book Review Editors’ Choice, a #1 bestseller in Brazil, and selected by Nancy Pearl as one of Summer’s Best Books for NPR. His next two novels for adults, THE GOOD LUCK OF RIGHT NOW and LOVE MAY FAIL, are forthcoming from HarperCollins. All of Q’s books have been optioned for film.
Q spent the first few years of his life in Philadelphia before being raised just across the Delaware River in Oaklyn, New Jersey. He graduated from Collingswood High School (class of 1992) and La Salle University (class of 1996), where he double-majored in English and secondary education. He taught high school literature and film in southern New Jersey for several years, during which he coached soccer and basketball, chaperoned trips to Peru and Ecuador, initiated a pen-pal exchange with students in Namibia, and counseled troubled teens.
In 2004 Q made the difficult decision to leave teaching and pursue his dream of becoming a fiction writer. He received his Master of Fine Arts in Creative Writing from Goddard College in 2007 and an Honorary Doctorate of Humane Letters from La Salle University in 2013. He lives with his wife, novelist/pianist Alicia Bessette.
I wrote on everything and everywhere. I remember my uncle catching me writing my name in graffiti on the side of a building. (It was not pretty for me when my mother found out.) I wrote on paper bags and my shoes and denim binders. I chalked stories across sidewalks and penciled tiny tales in notebook margins. I loved and still love watching words flower into sentences and sentences blossom into stories.
I also told a lot of stories as a child. Not “Once upon a time” stories but basically, outright lies. I loved lying and getting away with it! There was something about telling the lie-story and seeing your friends’ eyes grow wide with wonder. Of course I got in trouble for lying but I didn’t stop until fifth grade.
That year, I wrote a story and my teacher said “This is really good.” Before that I had written a poem about Martin Luther King that was, I guess, so good no one believed I wrote it. After lots of brouhaha, it was believed finally that I had indeed penned the poem which went on to win me a Scrabble game and local acclaim. So by the time the story rolled around and the words “This is really good” came out of the otherwise down-turned lips of my fifth grade teacher, I was well on my way to understanding that a lie on the page was a whole different animal — one that won you prizes and got surly teachers to smile. A lie on the page meant lots of independent time to create your stories and the freedom to sit hunched over the pages of your notebook without people thinking you were strange.
Lots and lots of books later, I am still surprised when I walk into a bookstore and see my name on a book or when the phone rings and someone on the other end is telling me I’ve just won an award. Sometimes, when I’m sitting at my desk for long hours and nothing’s coming to me, I remember my fifth grade teacher, the way her eyes lit up when she said “This is really good.” The way, I — the skinny girl in the back of the classroom who was always getting into trouble for talking or missed homework assignments — sat up a little straighter, folded my hands on the desks, smiled and began to believe in me.
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